Stanley Getz (February 2, 1927 – June 6, 1991) was an American jazz saxophone player. Getz was known as "The Sound" because of his warm, lyrical tone, his prime influence being the wispy, mellow timbre of his idol, Lester Young.[1] Coming to prominence in the late 1940s with Woody Herman's big band, Getz is described by critic Scott Yanow[2] as "one of the all-time great tenor saxophonists". Getz went on to perform in bebop, cool jazz and third stream, but is perhaps best known for popularizing bossa nova, as in the worldwide hit single "The Girl from Ipanema" (1964).
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Getz was born on February 2, 1927, in Philadelphia, Pennsylvania. His parents were Ukrainian Jews, who emigrated from the Kiev area in 1903. The family later moved to New York City for better employment opportunities. Getz worked hard in school, receiving straight As, and finished sixth grade close to the top of his class. Getz's major interest was in musical instruments, and he felt a need to play every instrument in sight. He played a number of them before his father bought him his first saxophone at the age of 13. Even though his father also got him a clarinet, Getz instantly fell in love with the saxophone and began practicing eight hours a day.
He attended James Monroe High School (New York) in the Bronx. In 1941, he was accepted into the All City High School Orchestra of New York City. This gave him a chance to receive private, free tutoring from the New York Philharmonic's Simon Kovar, a bassoon player. He also continued playing the saxophone. He eventually dropped out of school in order to pursue his musical career, but was later sent back to the classroom by the school system's truancy officers.[1]
In 1943 at the age of 16,[3] he was accepted into Jack Teagarden's band, and because of his youth he became Teagarden's ward. Getz also played along with Nat King Cole and Lionel Hampton. After playing for Stan Kenton, Jimmy Dorsey, and Benny Goodman, Getz was a soloist with Woody Herman from 1947 to 1949 in "The Second Herd", and he first gained wide attention as one of the band's saxophonists, who were known collectively as 'The Four Brothers', the others being Serge Chaloff, Zoot Sims and Herbie Steward.[3] With Herman, he had a hit with "Early Autumn" and after Getz left "The Second Herd" he was able to launch his solo career. He would be the leader on almost all of his recording sessions after 1950.
Career[]
In the mid to late 1950s working from Scandinavia, Getz became popular playing cool jazz with Horace Silver, Johnny Smith, Oscar Peterson, and many others. His first two quintets were notable for their personnel, including Charlie Parker's rhythm section of drummer Roy Haynes, pianist Al Haig and bassist Tommy Potter. A 1953 line-up of the Dizzy Gillespie/Stan Getz Sextet featured Gillespie, Getz, Oscar Peterson, Herb Ellis, Ray Brown and Max Roach.[1]
Returning to the U.S. from Europe in 1961, Getz became a central figure in introducing bossa nova music to the American audience. Teaming with guitarist Charlie Byrd, who had just returned from a U.S. State Department tour of Brazil, Getz recorded Jazz Samba in 1962 and it became a hit. The title track was an adaptation of Antonio Carlos Jobim's "One Note Samba". Getz won the Grammy for Best Jazz Performance of 1963 for "Desafinado", from the same album. It sold over one million copies, and was awarded a gold disc.[4] As a follow-up, Getz recorded the album, Jazz Samba Encore!, with one of the originators of bossa nova, Brazilian guitarist Luiz Bonfá. It also sold more than a million copies by 1964, giving Getz his second gold disc.[4]
He then recorded the album Getz/Gilberto, in 1963,[5] with Tom Jobim, João Gilberto and his wife, Astrud Gilberto. Their "The Girl from Ipanema" won a Grammy Award. The piece became one of the most well-known latin jazz tracks. Getz/Gilberto won two Grammys (Best Album and Best Single). A live album, Getz/Gilberto Vol. 2, followed, as did Getz Au Go Go (1964), a live recording at the Cafe Au Go Go. Getz's love affair with Astrud Gilberto brought an end to his musical partnership with her and her husband, and he began to move away from bossa nova and back to cool jazz. While still working with the Gilbertos, he recorded the jazz album Nobody Else but Me (1964), with a new quartet including vibraphonist Gary Burton, but Verve Records, wishing to continue building the Getz brand with bossa nova, refused to release it. It eventually came out 30 years later, after Getz had died.
In 1972, Getz recorded in the fusion idiom with Chick Corea, Tony Williams and Stanley Clarke, and in this period experimented with an Echoplex on his saxophone. He had a cameo in the film The Exterminator (1980).
In the mid-1980s Getz worked regularly in the San Francisco Bay area and taught at Stanford University as an artist-in-residence at the Stanford Jazz Workshop until 1988.[6] In 1986, he was inducted into the Down Beat Jazz Hall of Fame. During 1988, Getz worked with Huey Lewis and the News on their Small World album. He played the extended solo on the title track, which became a minor hit single.
His tenor saxophone of choice was the Selmer Mark VI.
Personal life[]
Getz married Beverly Byrne, a vocalist with the Gene Krupa band, on November 7, 1946; they had three children together.
Getz became involved with drugs and alcohol while a teenager. In 1954, he was arrested for attempting to rob a pharmacy to get a morphine fix. As he was being processed in the prison ward of Los Angeles County-USC Medical Center, Beverly gave birth to their third child one floor below. Getz tried to escape his narcotics addiction by moving to Copenhagen, Denmark. On November 3, 1956, he married Monica Silfverskiöld, daughter of Swedish physician and former olympic medalist Nils Silfverskiöld, and had two children with her: Pamela and Nicolaus. The couple divorced in 1989.
Zoot Sims, who had known Getz since their time with Herman, once described him as "a nice bunch of guys", as a consequence of the wide behavioural range of which Getz was capable. Getz died of liver cancer in June 6, 1991. His body was cremated and the ashes scattered at sea, off the coast of Marina del Rey, California.
In 1998, the Stan Getz Media Center and Library at Berklee College of Music was dedicated through a donation from the Herb Alpert Foundation.
Discography[]
- Main article: Stan Getz discography
Awards[]
- Grammy Award for Best Jazz Performance, Soloist or Small Group (Instrumental) "Desafinado," Stan Getz. 1962
- Grammy Award for Record of the Year, "The Girl From Ipanema," 1964
- Grammy Award for Album of the Year, Getz/Gilberto, Stan Getz and João Gilberto (Verve) 1964
- Grammy Award for Best Instrumental Jazz Performance, Small Group or Soloist With Small Group, Getz/Gilberto, Stan Getz 1964
- Grammy Award for Best Jazz Solo Performance, "I Remember You" Stan Getz 1991
Bibliography[]
- The Stan Getz discography, Astrup, Arne. 1978
- Stan Getz, Palmer, Richard. 1988.
- Stan Getz: an appreciation of his recorded work, Kirkpatrick, Ron. 1992.
- Stan Getz: nobody else but me, Gelly, Dave. 2002.
- Stan Getz: an annotated bibliography and filmography, Churchill, Nicholas. 2005.
- Jazz saxophone: an in-depth look at the styles of the tenor masters, Taylor, Dennis, 2004.
- Maggin, Donald L. (1996). Stan Getz. A Life in Jazz. New York: William Morrow. ISBN 0-688-15555-3.
References[]
- ↑ 1.0 1.1 1.2 Allmusic Biography
- ↑ Yanow, Scott. "Stan Getz". AllMusic. http://www.allmusic.com/artist/stan-getz-p6568/biography. Retrieved 2012-05-15.
- ↑ 3.0 3.1 Pbs.org "Oxford University Press" PBS – Jazz – A film By Ken Burns
- ↑ 4.0 4.1 Murrells, Joseph (1978). The Book of Golden Discs (2nd ed.). London: Barrie and Jenkins Ltd. pp. 146–147. ISBN 0-214-20512-6.
- ↑ page 208 of "italic" The Latin Beat "italic" by Ed Morales
- ↑ Nndb.com
External links[]
Template:Portal
- Stan Getz at Find A Grave
- Official Stan Getz homepage
- 1986 Interview
- Getz discography
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